Kelsye

Tips for Submitting Your Book Proposal

tip_for_submitting_book_proposalGuest post by Kerry Colburn and Jen Worick from The Business of Books. Originally published here.

In our experience, burgeoning authors spend a lot of time developing their manuscript. They may even create a strong book proposal that covers the business and creative aspects of their project. Then they freeze. They feel as if they make one misstep and don’t follow all the (often invisible) rules, their project will be dismissed, rejected.

We’re here to reassure you. If you’ve put together a solid proposal about a compelling concept with great writing, you will get serious consideration from an agent or publisher. Your book proposal won’t be kicked to the curb because you stapled it rather than used a binder clip.

Your submission packet should include your cover letter, your book proposal, and any additional materials (if applicable). And for additional tips, here’s a handy checklist to make sure you’ve crossed your “T”s and dotted your “I”s.

  • Include a footer on every page of your book proposal that includes your name and page number.
  • Staple or binder clip the pages together.
  • Use your best judgment when it comes to presentation (double-spaced, easy-to-read 12-point type is always a good way to go).
  • Spell check, proofread, be consistent in formatting (bullets, headlines), and enlist a second set of eyes to do a final read.
  • While it’s not necessary, you can use letterhead/heavier stock for your cover letter.
  • Be as specific as you can when addressing your packet. If you have a particular editor or agent to send your proposal to, great. If not, it’s fine; it will be reviewed by an appropriate person (it can be addressed to “Children’s Editor,” for example).
  • Do not give a publisher or agent more sample text than outlined in their submission guidelines. Giving them more than they ask for in terms of other components of the book proposal (marketing and competing titles, for example) is always okay.
  • Unless otherwise specified in the submission guidelines, send your proposal via snail mail and be patient regarding a response. If there is an e-mail posted, contact the publisher or agent when the allotted time has passed.

While it’s good to heed the differences of submission guidelines (length of sample text, for example), don’t freak out about over-customizing your book proposal. Most book proposals can go as-is to multiple publishers and literary agents, as long as you have a complete, robust presentation. What’s most important is whether the CONCEPT is the right fit for that publisher or agent.

 

Book Proposals: 7 Tips For Picking Great Sample Text

book-proposals-tipsGuest post by Kerry Colburn and Jen Worick from The Business of Books. Originally published here.

We’ve reviewed dozens of proposals and it’s always surprising to see what sample text our clients choose to include. Sometimes we’re happily surprised. But frequently, we find that the manuscript excerpt, while well-written, is off base for a compelling submission. Here, a few do’s and don’ts to consider when selecting sample text for your book proposal.

1. Do pick your most representative sample.
This is the most important thing to consider when selecting sample text. Your text should convey the tone and voice of your book, the pace, the information, etc. If you are writing a how-to book, include a chapter that covers all the types of projects or instruction that would be in the book. If you are writing a novel, pick a selection that captures the essence of the book. Don’t worry about giving away the climax; this is the chance to wow, and whatever part of your manuscript is going to do that is what you should use.

2. Do include examples of all your extra elements.
Along the lines of representative copy, think about all the various elements you envision in your book and include as many of them as possible. If you plan on having sidebars or charts, include at least one of them in your sample. If you plan on featuring your own photography, insert a sample (no originals, though) into your manuscript.

3. Don’t just include the beginning of your book.
Most writers gravitate toward including the first chapter or two of their book in their proposal. It’s usually the most polished and thought-out text. However, you may not be putting your best foot forward. If you are writing a novel, the first chapter might start out with a bang, but it can often include a lot of set-up and exposition that doesn’t get to the heart of the matter or the action. If you are pitching a romance, your excerpt better have some juicy bits. If you’re writing a travel memoir, there should probably be some travel going on.

4. Do use several excerpts, if it makes sense.
You don’t have to send complete chapters. If it makes sense to give a sampling of your book through several excerpts, go for it. If it’s a novel or memoir, set the scene with a few sentences to explain where each excerpt falls in the plot.

5. Do polish it. And polish it again.
You’ve probably looked at your manuscript a million times. That doesn’t mean that it’s perfect; in fact, it can mean that your eyes are glossing over typos at this point. Read your text over and over again. And enlist someone else you trust to read your proposal and sample text. Give them specific direction: do they understand the plot from the sample text? Do the instructions or recipes make sense? Do they have any questions after reading it?

6. Don’t get too attached to one piece of writing.
It may be the most lyrical, polished, gorgeous bit of prose you’ve ever written. But does it convey what the book is about, does it advance the plot? Step away from your manuscript and look at it with a critical eye, maybe even put yourself in the shoes of the acquiring editor. Ask yourself the hard questions and if this isn’t the sample that’s going to both impress and inform an inquiring editor, choose another excerpt.

7. Do read the publisher’s or agent’s submission guidelines.
We know it’s hard to choose just a few pages to include but be mindful of what an agent or publishing house asks for. If you send 50 pages when they’ve asked for 15, you’re in jeopardy of having your entire submission dismissed. Only send the amount of text requested.


 

score_a_book-deal-webinar Want to get your book published? Join Jen and Kerry's upcoming class: How to Score a Book Deal.

You’ve got a book idea, but how do you get it out of your head—and onto the shelves? We’ll show you how to hone your idea, assess the competition, bulk up your author bio, choose the right sample text, strategically research publishers and agents, and develop a complete proposal, giving you all the tools you need to create a savvy, on-point submission.

Register here. (Tip: Use the code booksample for $49 off!)

wander

Those Who Wander Find Themselves: Three Peculiar Days in Alaska

wander10/26/14 Train from Anchorage to Talkeetna

Despite the early morning departure, drunken revelers in full Halloween costume fill my train car. Not quite in the mood for their unapologetic reverie, I retreat to the dining car.

Silver landscapes slide by my window – snowfields boxed in by white-capped mountains, rivers gray and still as steel, pale slivers of fog stream between stunted evergreens.

“Moose on the left! Moose on the left!” says the conductor.

I swivel my head to catch sight of mama moose and almost full-grown calf galloping away from the tracks - that odd gait that looks more like falling down but still seems to move the beasts along awfully fast.

I order a signature scramble, which arrives as a glorious heap of eggs, bacon, potatoes, onions and cheese. The concoction sends off a delicious steam than fogs my window and turns the world outside a lighter shade of dreary.

Back in Seattle, my husband’s truck won’t start. I didn’t think to leave behind the keys to my car. His anger sparks and we volley back and forth in texts. He rails against my late-paying clients, about our apparent poverty. When he says that all I do is stroke male egos for a living, I swear at him and tell him not to text me again until he calms down and is ready to apologize.

I put my phone to silent and try to ignore it, shoveling big spoonful of cooling breakfast into my mouth. My phone thrums and vibrates. A quick glance at the messages tell me I still don’t want to talk to him, so I put my phone on airplane mode. I can still snap pictures of the scenes outside, but I can now pretend that this little world around me is all that exists.

I hop off the train at Talkeetna, a small town that serves as base camp to Denali. At the river park, the ice slides by in the water making a sucking scraping sound. Cheeks red with cold and fingertips starting to tingle, I make my way to my log cabin, drop my backpack and call my husband. We growl at each other first, but soon soften and yield. We manage to end the call with love; such is the luxury of a young marriage.

At dark, I steal away to the Fairview Inn bar, chat with bearded men, order a $5 local stout and retreat to tall table to capture lines in ink. When the man in a flannel shirt hauls in a stand-up bass, I know this is going to be a good night. A flyer on the wall says that a girl will sing – Hannah Yoter. My guess is she’s the brunette in the corner with the red lipstick the earrings that dangle. That’s about as dressed up as you get here – aside from my person, with my carefully contoured make-up, manicure and white furry vest. It suddenly dawns on me how ridiculous my fitbit is here. At least I had the good sense to order a local beer instead of a red wine. Of course, later I want a bourbon, but a smart girl paces herself.

In the span of a single song, new people have packed this bar wall to wall. My quiet writing retreat transformed into party place. I feel so conspicuous with my tall table to myself and my journal open before me. The barkeep has removed the big round tables from the main floor. I watch a girl standing on the edge, balancing a drink in each of her upturned palms. I should leave. I’m not really a party person. Or a crowd person. Or a girl alone in a party bar person. I jostle the young people around me for space to put my coat back on.

Miss Yoter starts in on a Doc Watson song that I love and stuns me still. Doc Watson? She follows with “Valerie” and I take my coat back off and hang it on my chair.

The violinist’s girlfriend asks to join me. She’s alone, save for her new boyfriend on the stage. I watch the singer moon at the violinist, the violinist moon at his girlfriend, and his girlfriend jump into the arms a yellow-bearded man that appears out of nowhere and yells her name. The violinist looks everywhere except for at his girlfriend. The singer smiles, takes her voice a little lower.

A young bush pilot buys me a Crown Royal. The second time his hand touches my back, I turn and face him full on. “I am about the farthest thing from single a girl can get. Sorry.”

“Damn,” he says. “Oh well!”

“I’m sure there are lots of single girls here. Saturday only comes once a week. I won’t feel bad if you go talk to someone else.”

“I’m talking to you! Cheers!”

When the band breaks, we chat about choosing life in Alaska, about reading Into the Wild, about how sometimes the things that seem the most insane to others are the most sane to you. He shows me pictures of his plane, pretty little thing painted blue and white, with a name I’ve sadly forgotten.

We’re interrupted by two brunettes who want to know if the book on my table is a guest book and if they should sign it. Yes, I say, you should definitely write in this book. Here’s what I find when I check the pages later:

We’re here!

We’re queer!

The Hulk sisters wuzz herr!

Their names are Kelly and Chelsea. From Palmer. I tell them my name is Kelsye and they scream in delight. Kelly composes a secret handshake on the spot, ending will a finger wiggling move she calls salmon spawning.

“Salmon spawning sisters forever!” Chelsea takes a staggering, half-step back, right into the arms of the bush pilot.

I slip out unnoticed, hunting aurora borealis. A faint emerald glow appears on the Northeastern horizon, rising as though green steam from the black forest. If it reaches the intensity so often seen in photographs tonight, it won’t happen for many hours. I wrap my arms around my chest and walk back to my cabin under a sky crowded with stars.

10/27/14 Talkeetna to Anchorage

I take the once a week train back to Anchorage. The members of yesterday’s Halloween party stand like zombies on the platform, red-eyed and remarkably quiet. A few minutes before scheduled departure, a pretty little blue and white plane buzzes the depot, tips it’s wings. I leap, wave and whoop. The pooped partiers send icicle sharp glares my way. A woman still wearing her curly Victorian wig, but with ski parka instead of gown, puts her hand on her head and whimpers.

I laugh and leap and wave again as the plane loops around. This is my life right now!

This is my life right now.

Darkness falls in Alaska. When I look out the train window, my own reflected image blurs into the shadowed landscape. The evergreens are scrubby here, as though malnourished dwarves compared to the towering giants of my beloved Washington. Birch trees stretch tall, like naked white legs standing on overgrown lawn.

My trip will come to a close. I must exit solitude and kneel again at the altar of my computer. Calendars. Meetings. Deliverables. A gnawing terror scrapes at my heart. My official work in Alaska done days ago, I could return home tomorrow, but I choose to stay a few more days to prolong the strange. I must work, connected to the Internet and clicking away at the my laptop at the far end of the hostel dining table. But when work ends, no dogs will whimper for food, no kids will text for pick-up, no laundry will lay about in piles for me to ignore.

Instead, I have a date with my new Alaska friends to go to a roadhouse that specializes in bacon and bourbon. In other free hours I will layer on faux fur and quilted down, pull on gloves and boots, head out to wander down frozen streets. I will take my meals in cafes where I will order local standards unknown to me (reindeer sausage?) and drink countless cups of coffee from thick-walled ceramic mugs.

Suddenly it is dark, dark in Alaska. An inky black presses against the train window. Forward motion may only be assured by the bump and sway of the rail car. We may have launched into a Miyazaki film, the train rolling through a tunnel into the populous spirit world for all that I know. A pleasing sensation.

10/28/14 Anchorage

Back in Anchorage, I fail intentions to wake early to catch up on email and sleep a full eleven hours. My anxious mind and unceasing ambition make it so I can rarely rest completely. Sleeping late is out of the question. Naps, though highly desired, end up fitful and unsatisfying. Yet in Alaska, I have found sleep. Even with the time zone change, I sleep through my alarm. Come afternoon, I may lay back down and slumber another hour or three.

The girl sharing my bunkroom at the hostel is a champion sleeper. I wonder if it’s her gravity pulling down my eyelids, and pinning me to my bunk. All rockets must fire before I may break orbit and escape our warm room.

I take a late breakfast at Gwennie’s Old Alaska café – the place where they leave the entire pot of coffee on my table. Glorious. Turning to client work, I open my journal to a blank page and mark down my task list. A chorus of opinions negotiates in my mind, padding and stripping my to-do list. Anxiety gnaws at my stomach. How will I get this all done? My hard-earned peace from this long, wandering weekend slips away from my spirit with frightening speed. Panicked, I sit straight, tell myself to breath. Look around.

Prince’s “Doves Cry” plays on the speakers positioned behind the stuffed bear and fox diorama. Two grizzled, bearded men at the corner table mumble the words and bob their heads.

I smile. This is my life. This is my life.


A few select photos from my trip to Alaska...

 

Fiction vs. Non-Fiction: Less structure does not mean fewer hours

fictionvsnonfictionGuest post by Seattle-based mystery author Tom Kelly. Originally published here.

I’m often asked about the difference between fiction and non-fiction writing. Both require dedication and preparation, yet a different mindset.

Both also involve a ton of time. Less structure does not mean fewer hours.

Forty years in the newspaper business teaches you all about deadlines, importance of accurate facts and writing to a definite space. There are hours spent on developing sources, research and interviews. In my case, it led to books with major publishers (McGraw-Hill, John Wiley & Sons, Dearborn-Kaplan).

The business did not encourage exploring a creative imagination or wondering what could be. Get it done, get it right, get it in the paper.

For example, I loved covering college football. I’d start the day by submitting a first half play-by-play from the press box, add the second half action, and then sprint the locker room for quotes. Returning to the press box, I’d file a game story, locker room sidebar and then sub both pieces for the next edition. Action happened in front of me. People spoke with me. I recorded both in a logical way and sent it to the newsroom.

When I began focusing on fiction, nothing happened in front of me at a specific time that I needed to document and record. There was no finite space to fill. Much of my research became remembering the thoughts and emotions, smells and colors of places I’d been. Observations and reflections needed to be stowed in a memory bank or an entirely different kind of notebook. Sure, facts needed to be checked and dates confirmed, but there was no library to visit to find what could be.

What I underestimated was the time and discipline required to enhance personal imagination. What are the variety of things possible? The results proved to be more rewarding—and the preparation more time consuming. Fiction may be more casual, but it’s not easier.


 

smallcoverTom's debut mystery novel Cold Crossover is free today on Amazon. Get it here!

"Cold Crossover is a riveting mystery based on the drama of small-town high school basketball, complete with the missed shot no local will ever forget. Along the way, Tom Kelly takes the reader from the Northwest’s wild frontier days to its equally crazy present as a real-estate mecca. Kelly weaves the ferries, crabbers, and timber-men of his region into a timeless and page-turning tale."
Jim Ragsdale, Minneapolis Star-Tribune

 

Who’s on YOUR Publishing Wish List? Picking the Right Publisher

picking-the-right-publisherGuest post by Kerry Colburn and Jen Worick from The Business of Books. Originally published here.

When you are developing your manuscript and your book proposal, start developing your wish list, those dream publishers or agents with whom you’d love to sign. As you peruse the shelves or search competitive titles online, pay particular notice to who’s publishing each title. Notice if certain publishers keep coming up again and again, which might indicate that they publish regularly into that category or genre. For instance, if you are researching spiritual books, you might find that Hay House or Thomas Nelson crop up again and again. Write them down; they might be the first publishing houses you add to your wish list.

Now, the fun part. Investigate those publishers! Hop online and look at each publisher individually. Note what books they are promoting on their home page, and then search by genre. See if they offer a mission statement or an explanation of their different imprints. Do you like what you see? Will your book feel at home here? This is an easy exercise that you can do in your pajamas or while watching TV.

If you think the publisher may be a good fit for your book, check out their Submission Guidelines. Virtually all publishers offer them online. Here, you’ll find out if they take unsolicited proposals or if you’ll need to work with an agent. They may also indicate how to send the proposal (e-mail vs. snail mail), how many pages it can be, response time, and other pertinent details.

Some other fun ways to compile your publishing wish list:

  • Look through your own bookshelf and make a list of the publishers of your favorite books. Jot down any names that may be on the acknowledgements pages.
  • Write down the sections of the bookstore where your book idea could possibly live, aside from the obvious.
  • Make a separate wish list of the qualities you’d like in your publisher (lots of hands-on interaction with editor, big book advance, prestige, etc.). Now rank them in order of importance. When looking over your list, take into account these priorities.

masterclass square Did you know that building your author platform in advance can GREATLY improve the possibility of a publisher taking you on? Get expert help growing your audience with the masterclass. Class details here.

Masterclass Registration

Free Day Book Promotion Checklist

free-day-book-promotion-checklilstA limited-time "free" promotion of an ebook is an effective way for authors to build awareness, grow their audience, earn online reviews and climb bestseller charts. Often, a free day will positively impact actual sales in the weeks following the promotion. If an author can promote a second book at the end of the free book, sales may increase dramatically. This promotion works for authors who have pricing control of their books. If you are traditionally published, you must work with a publisher to make this happen. This page contains a sample promotion process flow for a free day promotion.

Download a PDF version of the Free Day Book Promotion Checklist here.

 


 

One Month Prior to Promotion Day

Schedule free day advertisements

  • BookBub (MOST impactful. If they reject your book, tweak and try again.)
  • Kindle Books and Tips
  • Blogads.com
  • Digital Book Today
  • FreeBooksy
  • Free Books Daily

The channels above are ones I have used and can personally recommend. You may view a sampling of other options here: Book Advertising Channels Spreadsheet

Update your ebook file to include a conversion page after last page of story

Ideally, this would be a teaser for your next book with a lick to click and buy right then. If you don’t have another book out yet, the teaser could be an offering for a free short story or non-fiction article. This should click-through to a page where readers must first enter their email address before downloading the free content.

Schedule your free day (or days) on your Kindle Direct Publishing dashboard

If you are a member of KDP Select, this is remarkably easy. If a publisher controls your book rights, or if you publish your ebook on other platforms that make you ineligible for KDP select, you will have to contact your publisher or research solutions to figure out how to offer a free download day.

Prime your platform

Keep building your audience! Use your best practices to grow your social media accounts, collect email addresses, publish quality content and engage with your audience.

Partner with bloggers and authors

Reach out to other bloggers and authors to coordinate reviews and promotions to go live the day of your free day promotion. You may use a blog tour service to organize much of this for a fee.

Store up community karma

Join online communities on various platforms and offer purely help content that doesn’t self-promote in any way. Retweet and re-post other author’s promotions and reviews. Give, give, give so that when it’s time to make your ask, folks are ready.

 


 

One Week Before Promotion Day

Confirm scheduled advertisements

Sign up for Amazon Associates and create an affiliate link to your book

Use this link in all of your promotion posts and messages. You might be surprised by how much you can earn in affiliate sales when your readers add a couple for things to their cart when shopping on Amazon.

Send content in advance to bloggers and authors to post

The most compelling content is not that which screams “DOWNLOAD MY FREE BOOK”. Clever content marketers offer a more subtle approach. Provide incredibly compelling content your readership would love and then end with a note about your free day promotion and easy link to click. For example, if you are publishing a historical fiction novel set in New Orleans, you could offer a post about “Most Notorious Bars in the French Quarter.” If you are publishing a memoir about your solo hike along the Appalachian Trail, you could offer a post about “Five Things I Learned About Love After Three Months Alone in The Wild”. Tangential, yet relevant content will get you the most clicks.

Prepare your graphics and promotion posts

You’re going to be busy posting and sharing on promotion day. Make it easy on yourself by creating content ahead of time you can copy and paste.

Create an email to send to your general list

Create an email to send to your friends and family list

Make this one a little more personal and include social media posts they can easily copy and paste on their own networks to help you out.

Keep building your social media karma

 


 

Promotion Day - Hooray!

Post immediately on your personal networks.

Include a request to pass the news on. They’re your friends and followers for a reason. They love you. They want to know about your promotion and many will help spread it around. Get that ball rolling right away. Tip: Remember to use your Amazon Associate link to collect affiliate fees!

Schedule addition posts throughout the day.

At least three on twitter and one on each of your other networks. Make sure you schedule enough “give” content to balance out. Sick to a ratio of at least three “give” posts to every self promotion post. One twitter, use hashtags such as: #freeebook, #ebook, #kindle, #bookpromo, #amreading, #free, #freekindle, #indiepub, #selfpub, #amwriting

Send out email blast to general list and friends and family

Add “free” to your book tag on Amazon.

Pin a picture of your lovely book cover on Pinterest with a message and link to the download.

Post your book link on the kboard free book link thread.

First time on kboard? You’re in for a treat! However, get in and get out quick today. You have a book to promote!

Post in book promotion groups on Facebook and Google+

Many of these are linked in this very helpful article: 10 Last-Minute Free Book Day Promotions


Would you like this in a printable form? Click here to download a PDF of the Free Day Book Promotion Checklist.

Still want more help? Entice someone to join your email list with our freebie cheat sheet. We’ve listed 33 giveaway ideas for authors on this free download. We also included tips on getting your freebies out into the world and what tech tools you may use to collect email address.

Two-part webinar series: Score a Book Deal

score_a_book-deal-webinarI am so pleased to announce a new webinar series to my publishing class line up...

How to Score a Book Deal: Tips and Tools from the Publishing Pros

With this one-two punch from industry insiders Jen Worick and Kerry Colburn of The Business of Books, you’ll be ready to land a traditional publishing contract no matter your genre.

All classes are pre-recorded. You'll be able to move along at your own pace, plus ask the instructors questions via email.

Webinar One: Prepare to Get Published

You’ve got a book idea, but how do you get it out of your head—and onto the shelves? We’ll show you how to hone your idea, assess the competition, bulk up your author bio, choose the right sample text, strategically research publishers and agents, and develop a complete proposal, giving you all the tools you need to create a savvy, on-point submission.

Webinar Two: Learn What Every Publisher Wants You to Know

Wouldn’t you like to be a fly on the wall during acquisitions meetings with publishers and agents, so you could find out what they really want—and don’t want? We’ll cover the proposal components that are most crucial to landing a publishing deal, rookie mistakes to avoid during the submission process, the aspects of an author platform that matter most, and how to fine-tune your proposal to address today’s publishing climate.

The registration for the series is $249.

Class details and registration.


Jen&KerryJennifer Worick and Kerry Colburn are the dynamic duo behind The Business of Books (www.bizofbooks.com), a successful publishing consulting company based in Seattle. With nearly forty years of publishing experience and forty published books between them, they are in the unique position of having been “on both sides of the desk”— as both acquisitions editors and as authors.

Kerry is the former executive editor of Chronicle Books and the author of a variety of titles, including How to Have Your Second Child First, Good Drinks for Bad Days,and Mama’s Big Book of Little Lifesavers.

Jennifer, previously editorial director of Running Press, has co-authored or written more than 25 books, including Things I Want to Punch in the Face and the New York Timesbest-selling Worst Case Scenario Handbook: Dating and Sex. During their publishing careers, they have reviewed countless proposals and shepherded many successful titles to market.

Any questions? Please feel free to contact the class host, Kelsye Nelson, anytime. Ready to register? Just click here.

 

finding_my_footing

Finding My Footing

finding_my_footingI fail being alone.

Camper in the woods – just my dogs and me. The fates occupy all members of my immediate family with business trips and family trips. My mother grants me the use of her splendid white camper perched on white steed of a Chevrolet. I retreat to an abandoned corner of a state campground with one purpose – I will finish my book proposal revisions.

The transition from racing publishing diva to quiet, thoughtful writer does not go well. I’m a wreck. I don’t want to start working. I do everything else instead. I walk the dogs. I eat. I nap. I throw the ball. I drink tea. I drink wine. I play a game on my phone. I walk the dogs.

I start up my computer, then power it down, terrified. Perhaps my brain is broken. Or what if I’m just lazy and lacking in character?

I lock the dogs in the camper to walk alone. My camp is near a small river, at Rainbow Falls where the opposing riverbanks bend together like the thighs of a modest woman, forcing the water through a turbulent triangle. I walk alone to hear my own feet clop along in rain boots, steps heavy as a cow. I walk alone to quiet any nagging needs, to stand perfectly still and listen for croaking frogs and dropping leaves.

“You’ve completely forgotten how to be alone and unoccupied.” There's no one around. I say the words out loud like a crazy person.

When I return to the camper, I go to sleep, dogs pressed in on either side of me. I don’t work that evening, but I no longer look at my phone, or eat, or pace. Ten hours I sleep.

Come morning, I wake my fine fellows and walk them out on the trail I spotted yesterday evening. Wide and straight, an old railway bed turned public trail, the path fades into infinity before and behind the spot where I catch it at “Dryad’s Rest” crossing.

A different world from the golden autumn I enjoyed last night, silver fog swallows the view. Dewy spider webs drape over branches like Christmas garlands. I clip-clop along behind my dogs, the companion thud of my rain boots against the back of my calves again make me think my steps sound like a giant, lumbering cow.

My 100-pound dog with the useless back legs follows his spritely brother down a ravine. While the younger dog climbs the slippery slope back to the trail with bounding ease, my big, black dog slides on the grass and mud and lands squarely on his rump at the bottom. He whines.

“You went down there. You can get back up.”

I walk away, assuming my fading steps will compel him to rally and figure his way. This doesn’t happen.

He shrieks and whimpers like a toddler, delicate, high-pitched cries I’ve never heard come from his rough throat. I stomp back and peer over the edge His eyes shine at me like yellow diamonds.

“Shit.”

I find my way over the edge and down the slide. It’s the damn marsh grass, wet with dew. The entire side is slicker than buttered plastic.

I say a little thanks for my cumbersome rain boots as I land with a splash at the bottom of the ravine in half a foot of muddy water.

“Come on, Zeus,” I say, wedge my palms under his haunches and heft his weight up and forward.

Once on top of his feet, he makes the climb with minimal shoving and pushing on my part.

At the top, back on the trail while I wipe the muck off my hands onto my jean, I look across to the pasture on the other side. Three rust-colored cows stare at me. They stand so perfectly aligned and spaced that I expect them at any moment to take a slide-step to the left, say ooooo, and start a do-wop routine.

“Hi, cows.”

I fall in behind my dogs and we clip-clop back in the direction of our camper trailer.

Back inside, peeled free from boots and raincoat, I sit at the little table with my coffee and my laptop. I feel better somehow. I open the file, scroll to where I left off, and begin to type.

 

VIDEO: Learn How to Add Soundtracks to Your Books with Booktrack

It's true! You can use Booktrack to add soundtracks to your books. Not only does this create a new and compelling way for readers to experience books, but gives authors another opportunity to connecting with readers in unique ways. Jason Hovey, VP at Booktrack, joined me online to give us an overview.

Watch the video to learn how you can use Booktrack to reach the 1.4 million readers on their platform.

Platform tip: One takeaway I pulled from Jason's talk that applies well to indie authors is to put up a free sample or first chapter of your book on Booktrack and then link to your site where interested readers may purchase the work in entirety.

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I might earn a commission if you purchase a service or item linked from this page. Thank you for your support! ❤️